Archives For Advent

Untitled44There’s no better time than the Advent season of ‘holy anticipation’ to reflect on what I think is the most important question for Christians to ponder:

Why does God takes flesh in the first place?

Does God become incarnate in Jesus in order to die upon the cross; so that, we can be saved from our sins?

Is Christmas merely instrumental? Is the Incarnation just the means by which humanity pays the sin-debt owed to God, satisfying God’s wrath against us in the process?

Or is the Incarnation we celebrate at Christmas itself salvific in some way?  Is humanity in some measure saved simply by God assuming our humanity?

And what do we mean by ‘salvation?’

For all you theology nerds, church geeks and preachers desperate for sermon ideas, I invite you to join me this Advent in reading and reflecting upon the Church Father Athanasius’ short essay On the Incarnation.

A bishop in the early 4th century and a leader against the Arian heretics (those who did not believe that the fullness of God dwelt in Christ) at the Council of Nicaea, Athanasius’ work On the Incarnation is one of the very first texts of developed Christian theology.

Plus, its short. 40 pages.

Even better, it’s free. Right here: Athanasius’ On the Incarnation of the Word

Print it out and after you’ve stuffed your face like the pilgrims of yore, get to reading.

Starting the week of 12/1 we’ll go at a 10-15 page pace a week.

Each week of Advent I’ll post my thoughts on what we’ve read, the context behind it and why it matters for thinking about and following Christ today.

Plus, each week I’ll post a podcast conversation about On the Incarnation between me and some special guests:

061213soulenDr. Kendall Soulen, Professor of Theology at Wesley Theological Seminary

Michael Harden, a Rene Girard scholar, author of The Jesus Driven Life and Executive Director of Preaching Peace

Bobby Ray Hurd, House Church Planter at Simple Church and the smartest dude I ‘know’ on the interwebs.

So read, listen, and send me a thought or question via email or the Speakpipe on the screen.

Athanasius-blog-Zachary-Franzen

To wet your whistle, here’s this money quote from Athanasius:

“Because the true story of the world has been lost in the seemingly endless epic of sin, Christ must retell- in the entire motion and content of his life, lived both toward the Father and for his fellows- the tale from the beginning.

The Logos became flesh in order to reestablish the original pattern after which the human form was crafted in the beginning, and to impress upon creation the beauty of the divine image.”

Want to know just how important those two sentences are for making sense of Christmas, Good Friday, the teachings of Christ and our hands-on embodiment of them for others?

Read.

Listen.

Ask.

12.1

Do it.

 

Rubens-adoration_des_magesFor the 4th Sunday of Advent, we did something a little different. The text was Mary’s Magnificat in Luke, a song Mary takes from the Old Testament Matriarch, Hannah, and makes her own. A cover song so to speak. A sample.

With Mary as my muse, I decided to prepare 5 different beginnings to a sermon.

We spun a wheel to choose a beginning at random. I preached that introduction and then tagged in to Dennis Perry who, like Mary, had to take my words and make them his own and then I finished up where Dennis leaves off.

I’d almost forgotten, but here’s the video from the 4th service that weekend. The theme chosen at random was ‘virgin birth.’

 

lightstock_59323_small_user_2741517Every year during Advent we let our confirmation students loose through the church building to take an informal poll.

The question we give the confirmands is the same every year:

Why did Jesus come to earth?

In other words, why Christmas?

Every year the questions are the same:

More than 3/4 answer:

that Jesus comes

in order to die.

And the problem with that answer is…it’s wrong.

As the 12 Day Season of Christmas comes to a close so does this series of posts:

#1 Reason Christmas Doesn’t Need the Cross:

Because God is like John Irving

I’m a rereader. I’ve been that way since I was a boy. One of the novels to which I return nearly every year is John Irving’s best, The World According to Garp.

The novel’s final scene depicts the writer, wrestling-coach and father, TS Garp, calmly dying an assassin’s gunshot as a helicopter carries away the man who as a boy had dreamed that his absent father was a pilot.

The novel’s last line:

“But in the world according to Garp, we are all terminal cases.”

It’s much the same in all of Irving’s books. Before ever committing one word of his story to paper, John Irving already knows what will be the last line of his story, and that last line always makes it way into his story’s title.

He knows the story’s ending before he’s ever conceived of the beginning, much less the plot that will get the story there.

Maybe by the end of chapter 1, Irving the author knows that before his creations get to that already-established end, they’ll have to suffer the loss of a child, betrayal and reconciliation.

But, for Irving, that last line and closing image are first in the author’s intentions.

Irving, I believe, is no different than most a/Authors.

While some Christians insist that the incarnation of Christ presupposes Sin, that God would not have come in the flesh had human flesh never fallen, other Christians read the narrative arc of scripture and reflect on the mystery of the Trinity such that they come to a different conclusion.

For instance, the way John Irving conceives of his stories is analogous to how the Franciscan tradition has conceived the divine Story.

The Franciscan Duns Scotus puts it this way:

“Everyone who wills in an orderly manner, wills first the end, then more immediately those things which are closer to the end; but God wills in a most orderly manner; therefore, that is the way He wills.”

- Opus Parisiense

Another way Scotus puts this:

‘That which is last in act is first in intention.’

In other words, the End God desires is the first thing God determines.

According to scripture, what is the End God desires and towards which God is driving history?

It’s not saved souls leaving Earth to go up to Heaven; it’s Heaven coming down to Earth.

It’s God remaking the Earth.

It’s a restoration of what was intended but it’s also a realizing of something else so as to be called New: no more pain, no more tears. no more Death.

But it’s not all new things; it’s all things new.

It’s Heaven (the presence of the Creator) coming down to dwell with his creation.

It’s the community of Father, Son and Spirit joining the community of creatures.

– Revelation 21 & 22

This is the End which God desires and thus, according to Scotus, is the First God determines.

But how can God dwell with creatures when a creature, something created, is the one thing God absolutely cannot be?

 For God to reside with us God must reside in us.

The End desired, which is first in God’s determination, already presupposes an incarnation.

According to Scotus, to deny this and insist on thinking the other way ‘round requires us to believe God foresaw and predestined the fall of Adam prior to the predestining and begatting of Christ:

“If man had not sinned, there would have been no need for our redemption.  But that God predestined this soul [of Christ] to so great a glory does not seem to be only on account of that [redemption], since the redemption or the glory of the soul to be redeemed is not comparable to the glory of Christ’s soul.

Neither is it likely that the highest good in creation is something that was merely occasioned only because of some lesser good; nor is it likely that He predestined Adam to such good before He predestined Christ; and yet this would follow [were the Incarnation occasioned by Adam’s sin].

In fact, if the predestination of Christ’s soul was for the sole purpose of redeeming others, something even more absurd would follow, namely, that in predestining Adam to glory, He would have foreseen him as having fallen into sin before He predestined Christ to glory.

“It can be said, therefore, that with a priority of nature God chose for His heavenly court all the angels and men He wished to have with their various degrees of perfection before He foresaw either sin or the punishment for sinners; and no one has been predestined only because somebody else’s sin was foreseen, lest anyone have reason to rejoice over the fall of another.”

- Opus Oxoniense

I’m no NT Wright but let me resort to a less literary illustration:

Imagine I wanted to meet my friends for a great party.

With this end in mind, I set out to drive the way there. 

Failing to trust the instructions I’ve been given and insisting on finding my own way, I very quickly get off the intended path; in fact, I eventually happen upon a rupture in the road, too large to travel around or traverse down. I’m now so far off the path I was meant to travel I can’t return to the starting point but neither can I ever hope to fix the separation in the road on my own. I can’t get back from whence I came and I can’t get to where I’m meant to go. I’m lost and need someone to rescue me. And only such rescuing will ever deliver me to my original destination. 

And let’s say one of the friends who’d promised to meet me at that great party, who was already there and waiting for me, left it to come and help me. 

It’s true I’d gotten myself good and lost. It’s true that what separated me from my destination was too great to repair on my own. It’s true that I’d be without hope had my friend not come to save me.

However the getting lost, the rupture in the road, the friend coming to deliver me to the destination are not the point of the journey.

They are necessary and instrumental parts of the journey, but they are not the reason for the journey.

The destination is the point of the journey.

Had I not needed that friend to save me as I was lost, I still would’ve met that friend at the party because the End in action was always the First in intention.

Likewise, Revelation 21 comes before Genesis 1.

“Look the home of God is among mortals” precedes “And God said: Let there be light…”

Indeed incarnation, God taking up residence with us, is the reason God turned on the lights in the first place.

And that’s the good news, the reason for which Jesus is the reason for this season: that God wants not simply forgiven creatures; God wants friends.

 

 

 

 

adoration-of-the-shepherds-el-greco-domenico-theotocopuliTomorrow is Epiphany, the denouement of the 12 Day Christmas Season when the magi arrive from the East and offer gifts to the Christ child, gifts that are themselves a tacit recognition of  Mary’s boy’s true identity.

Epiphany hints at the Gospel’s finale: the inclusion of Gentiles into the People of God.

Epiphany shows the promise to Abraham coming to fruition: the healing of the entire world through God’s People.

Since tomorrow is Epiphany, and will be celebrated in most churches today, here’s a sermon on the magi story from Matthew 2.

I’ve aways thought Matthew lends the magi story a fable-like quality with a star that leads the wise men from the East and even hovers over Jerusalem while they sojourn there; therefore. I always tend to write magi sermons that are themselves whimsical.

Like Matthew, I’ve taken what is ‘true’ and bent it for my story-telling aim.

Thus…

When I first sat down on the plane, I did what any of you do.

I began thumbing through the pages of SkyMall.

A musak cover of Van Morrison’s ‘Crazy Love’ played- barely audible- over the speakers as the throng of travelers stepped on board and stowed their stuff above them.

Across the aisle, caddy-corner to me, a boy who looked to be in the third or fourth grade was wailing loud enough to make the veins in his neck pop out.

His mother had her arm around him and was saying shush but the boy was inconsolable. He stomped his feet and screamed at the top of his lungs: I don’t care how much pumpkin pie Grandma’s made I don’t want to fly.

Behind me, a woman argued with her husband: All I know is that if your mother treats me like she did last Thanksgiving this year I won’t keep my mouth shut.

On my right, on the aisle side, a teenage girl was smacking her gum and blowing bubbles. On her lap she had opened a copy of Seventeen magazine. She was reading an article about teens and plastic surgery and how to know how much is too much.

Sitting on my left, a middle-aged man in an expensive-looking suit was barking orders into his Blackberry. He had a Wall Street Journal folded underneath his arm and a leather tote overflowing with papers on his lap.

He had what sounded like some sort of Eastern accent- Boston maybe- and he smelled strongly of some kind of man-perfume.

He kept barking instructions into his phone until the stewardess came over and shot him a stern look and told him we were getting ready for takeoff.

And there I was, the happy holiday traveler, stuck in the middle of Gordon Gecko and Hannah Montana.

While we waited for take-off I thumbed through the Christmas 2010 edition of SkyMall where, among other things, I discovered that the $90.00 Star Wars-themed Chewbacca sleeping bag actually comes in adult sizes.

Is there a better way to celebrate Christmas?

The glossy advertisement asked rhetorically.

pastedGraphic.png

I had an early morning flight. The sky was still dark enough that when we were in the air you could see the stars.

The fasten seatbelt sign chimed off and the captain came on and spoke reassuringly over the intercom about our journey ahead. Not that you could hear him over the boy who was still wailing and still stomping his feet and who’d started to hyperventilate.

Once we were in the air, the girl to my right had moved on to read an article about eyeshadow.

Seriously. Eyeshadow.

And the woman behind me- though it sounded like she was actually in my ear canal- was giving a blow-by-blow recount of the last holiday she’d spent with her husband’s mother. I didn’t turn around but I’m sure her husband was red-faced and gritting his teeth.

     Where you headed? The businessman on my left asked.

And I thought to myself: Well, it says Atlanta on my ticket but it feels like I’m already half-way to Hell.

I’m headed to my in-laws’ house.

He chuckled and said: Good luck.

Now, I don’t like to talk to people on airplanes.

It’s not that I’m unfriendly or shy. It’s just that I learned early on in my ministry that there are certain situations in which revealing to a stranger that I’m a minister can provoke unwanted conversations.

I’ve discovered the hard way that sitting on an airplane in between strangers can be just like that.

     Ironically though I’ve learned that one of the best ways to avoid conversation with strangers on planes is by taking a bible out of my bag and simply opening it up on the tray table in front of me.

You don’t even have to read it necessarily. You can just leave it open like a force field of personal space.

Religious people will think you’re doing your devotions and will respect your privacy and non-religious people won’t say anything for fear you’re Baptist and might evangelize them.

And if you really want to make sure no one bothers you, you can just open it up to the Book of Revelation.

This past Wednesday morning I thumbed through SkyMall and I had my bible out and opened, not to Revelation but to Matthew 2- not only to stymy potential conversation with the businessman to my left but also I thought I’d jot down some sermon notes while I had the chance.

Meanwhile the businessman sitting next to me pulled out his laptop and then he dug deeply into his leather briefcase and pulled out a stack- at least 12 inches thick- a stack of catalogs: Eddie Bauer, LL Bean, Pottery Barn, Williams Sonoma etc. He pored over them like he was reading a map. Every now and then he would look up from them, marking a spot on the page with his index finger, and then he would type quickly into his laptop.

I watched him do this several times before I realized what he was doing.

He had Excel opened up on his computer and he was building a Christmas shopping spreadsheet. He was typing in the name of the item, the cost, the person who would receive the gift and then a hyperlink to the company’s website.

Every now and then he would click the ‘Sum’ button on the screen, giving him a grand total cost for his 2010 Christmas.

I watched him do this a while. Then I went back to thumbing through the Christmas issue of SkyMall where I saw that I could get a replica Harry Potter wand for only $70.00.

I was just thinking to myself who in their right mind would pay that much money for a fake Harry Potter wand when the guy sitting next to me said: Hey, can I see that a minute? My nephew would love that.

I watched while he typed all the information into his spreadsheet. His nephew’s name was Brian. He handed SkyMall back to me and with his tiny travel-sized mouse he clicked Save.

After he finished, he let out a deep, exhausted sigh. And he said: It’s the same every year. This can’t be what it’s all about. Can it?

I looked over at him. You talking to me? Meanwhile I was kicking myself for not having opened my bible to the Book of Revelation.

pastedGraphic.png

     You talking to me? I asked.

Yeah, he said.

Are you religious, he asked, and nodded at the bible on my tray.

Yeah, I guess so.

That’s good, he said in an absent sort of voice. I’m not, never have been.

I let his voice of trail off.

A few moments passed and he asked what I was reading, in the bible.

It’s the story of the magi, I said. He just blinked at me like a deer in headlights.

The what?

The wise men, I said.

He said: Right, I know what you’re talking about. I’ve seen them in those displays in people’s yards. They have the turbans and the camels right? They’re the ones who follow the star to the manger?

Not exactly, I said. They go to Jerusalem first not the manger in Bethlehem. It’s close but they’re off by about nine miles.

Sounds like the GPS in my car, he laughed.

I thought that might be the end of it. I was about to turn to Revelation or pretend I was asleep.

But then he asked me: Why do they go to Jerusalem first?

Well, they were looking for a King. The magi were just like us: educated, rich and sophisticated. They came from a powerful nation. They went to Jerusalem first because they just assumed any ‘King’ worth their worship would be found at the center of money and might.

He smiled a wise smile at me and said: In other words, they thought they could celebrate Christmas by traveling, giving a few gifts and then getting back to their normal lives.

And I smiled and said: Something like that.

pastedGraphic.png

Outside the window the stars were starting to fade against the oncoming sunrise. The boy across from me was hyperventilating into a vomit bag. The woman behind me was giving her husband the silent treatment. And the girl next to me had fallen asleep reading a Nicholas Sparks’ book, with a half-blown bubble of gum spread across her bottom lip.

The man next to me sat up and turned towards me.

Can I read it? he asked.

He held out his hand for my bible. So I handed it to him. I pointed out the first part of chapter two: It’s this part I said.

He took a while with it. He must’ve read it several times, searched over the words as though they contained the universe.

When he was done, he turned a few pages further into Matthew’s Gospel and then he turned a few pages back.

Then he turned it over and gazed at the back cover and then the front cover, gazing at the cheap, beat-up bible like it was a talisman or a treasure.

Then he held the bible out to me and he put his index finger down at the page.

What’s this? he asked me.

He was pointing to the poem indented in Matthew’s Gospel text:

And you, Bethlehem, in the land of Judah,
are by no means least among the rulers of Judah;
for from you shall come a ruler
who is to shepherd my people.

That’s from Micah, I said, from the Old Testament.

Can you show me? he asked.

And I flipped back into the Old Testament until I found Micah, the peasant prophet, and handed it back to him.

It’s short, I warned, only a few pages long.

I watched him read it, gazing over the constellation of words.

I saw him furrow his brows intensely at times and wondered what he might be reading.

I wondered if it might be:

He will teach us his ways so that we might walk in his path. 

or

He will judge between many peoples. 

or

Nations will beat their swords into plowshares and their spears into pruning hooks. Nation will not lift up sword against nation nor will they train for war anymore. 

or

He will gather the lame and assemble the exiles and all those who grieve. 

or I wondered if it might be

With what shall I come before the Lord,
Shall I come before him with burnt-offerings,
with calves a year old?
Will the Lord be pleased with thousands of rams,
with tens of thousands of rivers of oil? 

(in other words, will the Lord be pleased with all my stuff)

What does the Lord require of you
but to do justice, and to love kindness,
and to walk humbly with your God?

 

When he finished reading, he just sat holding it for a while. Then he handed it back to me.

     A few minutes passed before he closed his laptop and said: That’s quite a gift you know.

What is? I asked.

For the wise men to be able to reorient everything they knew about the way the world worked.

For them to be able to look at a helpless baby in a poor woman’s arms in a little village, for them to believe he’s the one, the only one, they should honor, for them to believe he’s the one to make Micah’s words come true- for them to able to do that, it’s got to be a gift from God.

I guess I never thought about it like that, I said.

I travel a lot, he said. I don’t get to see my family much. Every year I try to make up for it at Christmas. I search to find just the right gifts, but lately I feel like I’m always looking in the wrong places.

The Good News is so were the magi, I said.

pastedGraphic.png

We started our descent. The sun was coming in through the windows.

I’d closed my eyes.

I thought that story was supposed to have shepherds and angels in it, he said.

That’s Luke’s Gospel, I said. Matthew says everything he wants to say about Christmas with the wise men.

     I guess we’re more like the wise men anyway, he said.

How so?

None of us have angels telling us what to do or making things easier for us. We’ve just got to search, and, when we find what we’re searching for, decide whether or not we’ll let it change us.

You ought to be a minister, I said.

He laughed and said: I don’t think so. Aren’t ministers all dull and creepy?

I laughed and said…pretty much.

pastedGraphic.png

As we were getting off the plane, the journey over, I asked him:  Are you going back to DC after the holiday?

No, he said, I’ve made some commitments. I’m going home a different way.

Mary’s Cover Song

Jason Micheli —  January 2, 2014 — Leave a comment

401px-Adoration_of_the_Shepherds-Caravaggio_(1609)For the 4th Sunday of Advent, we did something a little different. The text was Mary’s Magnificat in Luke, a song Mary takes from the Old Testament Matriarch, Hannah, and makes her own. A cover song so to speak. A sample.

With Mary as my muse, I decided to prepare 5 different beginnings to a sermon. We spun a wheel to choose a beginning at random. I preached that introduction and then tagged in to Dennis Perry who, like Mary, had to take my words and make them his own.

Obviously, I only have the introductory text for each sermon but here it is. You can listen to one of the 4 services here or download it in iTunes or, even better, download the free mobile app.

 

Cover Song

Not knowing what to expect once she learns from Gabriel that she’s expecting, Mary travels to her cousin Elizabeth’s house.

Elizabeth is like the photo negative of Mary.

     Both women are pregnant with the promises of God and both unbelievably so. Whereas Mary is young- a virgin- Elizabeth is old enough that she and her husband’s hope for a child had long since past its expiration date.

When Mary sees Elizabeth, she bursts out in prophecy. She sings a song. We call it the Magnificat because of that first line: ‘My soul magnifies…’ Perhaps because we’ve given it a unique title, called it the Magnificat, most Christians don’t realize the song isn’t original to Mary.

It’s a cover song.

Actually it’s more like a sample. From the song Hannah sings when she learns, despite her own unlikely circumstances, that she will give birth to a son. Samuel.

Mary samples Hannah’s song and makes it her own.

In other words, Mary takes someone else’s words and, spontaneously, she uses them to proclaim.

This weekend Dennis and I thought that, rather than just preach about what Mary proclaims, we would instead actually do what Mary did. We thought we would take someone else’s words and, spontaneously, use them to proclaim the Gospel.

So, imagine I’m the Old Testament matriarch, Hannah.

Here’s how it’s going to work.

I’ve written five different beginnings to a sermon. Without Dennis’ input or knowledge.

All four halves of sermons are about Mary.

We’ll spin the wheel to find out which beginning we’ll begin with. I’ll preach that beginning of the sermon and then I’ll tag out to Dennis.

Like Mary, Dennis will have to take my words and, in the moment, use them to proclaim something that’s cause for rejoicing.

Sermon #1: 

All this took place to fulfill what had been spoken by the Lord through the prophet: “Look, the virgin shall conceive and bear a son, and they shall name him Emmanuel,” which means, “God is with us.”  

- Matthew 1

Growing up, I always felt this sneaking suspicion that Christmas for me and my family wasn’t what Christmas was for other families. I suspected as much because I knew that my family wasn’t like other families. Norman Rockwell didn’t paint many quaint images of a children sitting around a tree wondering if their Dad would actually come home that night.

Many of us want to experience a perfect Christmas every year, but perfect experiences require perfect people and I don’t know many of those.

And I doubt you know many either.

Nonetheless, Christmas is a time when many of us feel the need to pretend.

And those without the wherewithal to pretend simply conclude that they don’t belong in this story celebrated by the people better than themselves.

It’s odd that so many of us would think this time of year demands either perfection or pretense from us. It’s odd because the Gospel story itself makes absolutely no pretense about how imperfect was the family into which Jesus is born.

It’s all right there in the lengthy genealogy of Jesus which Matthew provides at the beginning of the Gospels. The genealogy is, in fact, the beginning of Matthew’s Christmas story.

The matter-of-fact list of names strikes the average reader as needless, boring prologue to the Gospel story proper. Readers anxious to get on with the meat of the story miss what Matthew might want us to know by telling us Jesus’ lineage in groups of fourteen.

Fourteen, in the Old Testament, is a perfect number- a number which represents completion. Readers in a hurry during the Christmas season risk failing to notice how in all of Matthew’s begats there are some names which shouldn’t be there if a traditional, legitimate- not to mention respectable- genealogy is what Matthew has in mind.

If you know your bible then you know Jesus’ family tree resembles what would happen if Jerry Springer wrote the season finale for House of Cards.

Jesus’ family has liars and cheats in it, adulterers and murderers, prostitutes and illegal immigrants. The branches of Jesus’ family tree betray secrets like incest and political intrigue and even a woman who got pregnant out of wedlock.

So what is Matthew getting at by beginning things with this imperfect family tree?

You can’t answer that question in isolation from what immediately precedes and proceeds the genealogy.

Before this family tree, before the New Testament begins, the Old Testament had ended and God had been silent for over 400 years.

What God had begun in the Garden. all the promises God had made to his People, were over. It seemed. There was nothing now but the darkness and chaos of exile.

And then Matthew begins the New Testament with a list of begats. And that list of begets begins with the word ‘genesis’ which we translate as ‘in the beginning.’

Sound familiar? It’s how the Hebrew Bible begins the creation story.

And then after the family tree, Matthew tells us how ‘Yeshua’ will be born of/from a virgin; in other words, God will bring forth the Messiah ‘out of nothing’ (ex nihilo) from a virgin’s womb.

God doesn’t require procreation in order to create.

God’s Word will create something from nothing.

We affirm the virgin birth every time we recite the Apostles’ Creed, yet often I wonder if its really more like lip service with which we treat the ancient doctrine.

For many Christians, I suspect, the virgin birth is more like a museum piece of Christian belief- an artifact that belonged to those who came before us.

The doctrine today strikes many as curious and weighted with superstition, others as a ‘miracle story’ with little immediate relevance to the incarnation and still others as an embarrassing fragment of the faith that should be hidden away to make the faith more palatable to enlightened, modern minds.

For those who have no trouble affirming the virgin birth, the doctrine instead becomes a sort of litmus test upon which all of Christian belief rests. Ever since Charles Darwin made the Church’s life more complicated, the virgin birth has been one of the ‘fundamentals’ for evangelicals. Thus all the emphasis is put on believing the virgin birth rather than on what Matthew intends by it.

Few ever give attention to what Matthew may have intended by linking the word ‘genesis’ to a list of less than perfect people and then following it with news of a birth out of nothing. A virgin birth.

The bible is the story of salvation but it starts with the story of creation which we call Genesis. The gospel is the story of salvation but it begins with a story of creation which Matthew calls “genesis.”

 

And just as the beginning of the Bibles speaks of a genesis from nothing, the Book of Matthew speaks about a genesis from nothing, from a virgin birth.

 

And all of it is brought about by the Holy Spirit.

 

You see, all of this is Matthew’s way of telling us that Christmas, the incarnation, is the beginning of God re-making creation. Jesus is the genesis of God’s New Creation such that if you or I are in Christ, then, Paul says, we are a new creation.

 

And that’s why Matthew can put these embarrassing, shameful characters in Jesus’ family tree and make a part of the Christmas story. That’s why we don’t have to be perfect or pretend that we are to be a part of this Christmas story.

Because no matter who we are, what we’ve done, from where we come if we’re in Christ we’re a new creation.

Sermon #2: 

‘He has scattered the proud in the thoughts of their hearts. He has brought down the powerful from their thrones, and lifted up the lowly; he has filled the hungry with good things, and sent the rich away empty.’ 

- Luke 1 

We’ve had a mission team in Guatemala this past week. They’ve been working to complete the village-wide sanitation project you all helped fund during Lent.

This is the first Advent I’ve not led the team, and I regret it.

I do so because working and living and worshipping in the Highlands in Guatemala during Advent was how Mary first came alive to me as a character in scripture.

I mean you read or hear about how Mary was very likely poor, coming from a no-account town like Nazareth. You can read or hear about how Mary was very likely only 13 years old, but the Mary of scripture really comes alive when you’re sitting in a little church in Guatemala next to an impoverished 13 year old girl named Maria, who has little education, fewer hopes and a baby strapped on her back.

It was that Mary who, several years ago, whispered to me in Spanish how many Christians in Guatemala didn’t know the Magnificat. Because, she said, Guatemala’s dictators had banned any public reading of Mary’s song in Guatemala.

Mary, Jesus’ mother, was deemed too politically subversive.

It’s remarkable how easily we disguise the Christmas story with sentimentality.

We even hear much talk about how Jesus ‘is the reason for the season,’ yet the reason for his coming is never precisely explained.

We talk about the ‘War on Christmas’ but we’re not talking about King Herod and his death squads we’re talking about how we’re greeted at Tyson’s Corner.

When we allow ourselves to be vague and even sentimental about Jesus’ coming, we inadvertently allow Christmas to get abstracted away from Jesus’ life, teaching and death.

What does Christmas then have to do with the rest of the Gospel?

Or is it, as it seems to many, just an origins story designed to satisfy our curiosity or prove the fulfillment of prophecy?

Or does Jesus come down from heaven, as many Christians seem to suggest, just so we can invite him into our hearts and go up to heaven?

What does Christmas have to do with the rest of the story?

It’s odd that we should be so uncertain about the reasons for Jesus’ coming when his mother Mary is quite explicit about what Gabriel’s news means.

She even puts in a song so it’ll be easier for us to remember.

What does Mary sing about?

She sings about the Lord’s mercy to those who fear Him.

She sing about God’s generosity to the poor and hungry and God’s hostility to the proud and rich.

She sings about a King- she is, after all, engaged to a man from King David’s family.

Mary doesn’t sing about the forgiveness of sins or going to heaven when we die. Mary doesn’t sing about how her boy will one day give us timeless principles to live by.

Mary sings about God making good on his promise to Abraham, his promise to Abraham that through Abraham God would set the world right, bring forth a New Creation.

Mary sings about a Messiah who will topple the kings of the world and then rule AS King of Creation.

As confused as we can sound about the purpose behind Jesus’ coming, Mary knows in an instant how to interpret Gabriel’s news. The one she will bear will be the one to bring God’s promise to Abraham to fulfillment.

Even though we often reduce Jesus to being an object of our personal piety, Mary, who perhaps has more cause than anyone to reduce Jesus to personal terms, understands that her boy’s birth will have much larger, political implications.

A few lessons we can draw from Mary’s song:

That Mary magnificates- literally ‘bursts forth’- with these particular words should tell us something about Mary’s faith and the hope to which she clinged.

No passive, pastel or one-dimensional character, Mary is someone who obviously longed for God to set things right in a broken world. Her faith was active and strong so that, when the moment presented itself, she already had the words within her to respond.

That Mary sings this song while Herod and Caesar are still very much on the throne tells us something of her courage. In the face of the world’s power, she boldly casts her lot with the newness God was about to wreak.

We’re so accustomed to seeing Mary painted with stoic, beatific hues we forget how really she was a woman ready to shake her fist at the powers of the world and call upon God’s power.

That Mary sings this Kingdom song not in the future tense (God will cast down the mighty…) but in the past tense (God has cast down…) should tell us something even deeper about Mary’s faith.

Despite the unlikelihood of a Messiah being born to a poor, unknown, teenage girl, despite the long odds that the kings of this world would ever give up their thrones- in spite of everything common sense might suggest, Mary is confident in God’s promises enough to sing as though God already accomplished them.

Mary knows that any promise of God is as good as done.

That Jesus’ very first sermon in the synagogue sounds an awful lot like Mary’s song is suggestive.

Mary’s boy grows up to express the reason for his coming in exactly the same terms Mary sings about here. Not only is she a woman of obvious faith, which we seldom acknowledge, she also has a hand in forming the faith of Jesus, which we never acknowledge.

So rather than being vague and sentimental about the reason for the season, maybe we should just consult Jesus for his reasons. Or his mother.

Sermon #3:

Then Mary said, “Here am I, the servant of the Lord; let it be with me according to your word.” Then the angel departed from her.’ 

- Luke 1 

We’ve had a mission team in Guatemala this past week. They’ve been working to complete the village-wide sanitation project you all helped fund during Lent.

This is the first Advent I’ve not led the team, and I regret it.

I do so because working and living and worshipping in the Highlands in Guatemala during Advent was how Mary first came alive to me as a character in scripture.

I mean you read or hear about how Mary was very likely poor, coming from a no-account town like Nazareth. You can read or hear about how Mary was very likely only 13 years old, but the Mary of scripture really comes alive when you’re sitting in a little church in Guatemala next to an impoverished 13 year old girl named Maria, who has little education, fewer hopes and a baby strapped on her back.

Protestants have tended either to ignore Mary outright or to treat her exclusively as a Christmas character.

While she gives birth to the object of our faith, Christians don’t often consider Mary herself as a woman of faith.

Both Luke and Matthew agree in their nativity accounts that Mary became pregnant prior to her marriage with Joseph, a fact embarrassing enough for us to conclude that it must be true.

Not to mention, no one in Israel expected the Messiah to be born of a virgin so it’s odd that both Luke and Matthew would independently tell us that in their different ways.

Both Gospels agree as well that Joseph knew he was not the father of Mary’s child.

The darker side to the annunciation is that when Mary receives news she will become pregnant by the Holy Spirit, she is almost certainly hearing news which no one else will believe.

Nazareth was a small town. You can be sure wagging tongues and whispering gossip will almost certainly follow Mary from here on out, speculating as to the ‘true’ cause of Mary’s premature pregnancy.

According to custom, Mary would have been no older than sixteen when she became engaged. According to tradition, Joseph most likely was an older man, marrying for the second time.

According to Torah, because Mary and Joseph were betrothed, any sexual activity prior to her wedding day would have been understood as adultery not fornication (Deut 22.23).

What if a woman in Mary’s position claimed she had been raped? What if her husband had brought false charges against her? What if she flatly denied any wrongdoing?

For such murky, disputed circumstances, as I showed you last week, Numbers 5 prescribes the ‘law of bitter waters’ wherein a suspected adulteress would be brought before a priest, required to let down her hair, and under oath drink a mixture of ash, holy water and the ink from the priest’s written indictment.

What I didn’t share with you last week.

The woman’s oath in the bitter waters ritual goes like this: ‘May the Lord make me to become a curse among my people when he causes my womb to miscarry and swell.’

Whatever we may think today of such customs, this was the reality which governed Mary’s world. It was the reality in which she nonetheless, hearing Gabriel’s news, replies: ‘May it be…’

Mary would’ve known the likelihood she’d be accused of adultery. Just as surely she would have known the proscribed punishment she might receive.

Mary would’ve known how Torah insisted Joseph divorce her, and she certainly would’ve known that whatever child she gave birth to before marriage, regardless of the angel’s promises, forever would be regarded as an illegitimate child and banned from the cultural and religious life of Israel.

Still, in the face of all those likelihoods, Mary summons the courage to say ‘May it be with me according to your word.’

Over 1500 years ago, St Augustine preached a Christmas sermon in which described all the angels of heaven holding their breath and peeking down through the clouds, waiting to see if Mary would say ‘yes.’

The obvious conclusion we can draw from this scene is that Mary had a faith sufficient to say yes to the vocation God had for her.

We can assume Mary had faith that the God of Israel is merciful and would protect her.

We can assume Mary knew from her scripture stories of women- suspect women- who nonetheless played a part in God’s plan and were safeguarded and ultimately rewarded by God. Mary must have known, we can imagine, that God’s call is very often a summons to serve and to suffer for love’s sake.

When Mary assents to the annunciation, she does so knowing her life will never be the same. Her Nazareth, she had to have known, would never look at her the same way again.

It’s in Mary’s ‘Yes’ to God here in Luke 1 that we can spot for the first time the shadow of her Son’s cross.

If we allow Christmas to be merely about sentimentality, we miss how Mary suffers for the Messiah before the Messiah himself suffers.

Indeed one could speculate that Jesus learns suffering love and the demands of faithfulness on his mother’s knee.

Sermon #4: 

And suddenly there was with the angel a multitude of the heavenly host…saying, “Glory to God in the highest heaven, and on earth peace among those whom he favors!”            

- Luke 2 

Megyn Kelly at Fox News caused quite a storm a few days ago by asserting on-air that both Santa and Jesus are white.

Never mind that Saint Nicholas was originally a 4th century Bishop of Turkey and so most definitely not white but you don’t necessarily need to know skin color or ethnicity to understand the story of Santa Claus. It’s incidental.

However, you do need to know Jesus’ ethnicity to understand his story. It’s the essential ingredient to the story.

To understand the Christmas story, you need to know that Jesus wasn’t white. He was a 1st century Jew from Nazareth.

And, perhaps just as importantly, so was his mother.

We can’t get too upset over Megyn Kelly’s misrepresentation of Jesus though.

We’re just as guilty as her.

In Roman Catholic tradition, Mary is most often depicted as beautific.

In our Christmas crèches, she’s gentle and passive. She’s sweet and fresh-faced on Hallmark cards, and in Christian art for two thousand years she has been somber, sober, soft and white-faced.

Making Mary and Jesus just like us is a way of making them a-political; that is, it’s a way of removing the politics from their story.

But what Luke knows is that Jesus is born with monsters at his manger and that Mary delivers him into the world at a cost to herself that we have difficulty imagining.

When the Holy Spirit overshadows her, the Spirit also, for all practical purposes, hangs a bulls-eye on Mary’s back.

By the time her belly begins to show, Caesar Augustus had already been emperor for longer than she’d been alive. Caesar ruled the known world, and he was revered for bringing “peace” to it- peace, by any means necessary.

While God was beginning to work a different plan in the shadows of Mary’s life, Caesar ruled a kingdom of absolute power, a kingdom that brought “glory” to the man on top and “peace to those on whom his favor rested.”

By her second trimester, 1500 miles away in Rome, Caesar will lift his little finger and a young Jewish couple will find themselves submitting to a census, to be taxed, to pay for Caesar’s brand of peace.

And by the end of her third trimester, in Israel, Caesar’s puppet, Herod, will hear news of a promise rising with a star and this young Jewish couple will find themselves hunted. Like so many other Jews before and after them.

Before Jesus grows and preaches one himself, Rome already had a gospel of its own. About their emperor, Roman citizens- ordinary men and women- would proclaim with thankful hearts: ‘Caesar Augustus, son of god, our savior, has brought peace to the whole world.’

To a first century world grown numb to the 24/7 headlines of war, the advent of Caesar was considered “good news.”

It can’t be accidental that when the angel Gabriel surprises Mary with an unexpected future, he tells her that the child she’s to bear will be called ‘son of God.’ 

     It can’t be accidental that when the angels break open the sky directly above the shepherds, they make a threateningly familiar proclamation: “…GOOD NEWS of great joya SAVIOR has been born.” 

     And then the angels all sing: ‘Glory to God in the highest…and on earth, PEACE TO THOSE ON WHOM GOD’S FAVOR RESTS.’  

No doubt the shepherds then tell the news to Mary.

When the wise men show up at the scene, Mary just as surely would’ve known that Herod’s interest in stars and babies was far from innocent.

For Mary, it could all add up to only one thing. If her son was Savior, then Caesar- even if he could compel a census- was not. If her boy was King, then Herod- even if he could hunt them- was not.

The annunciation makes Mary not just a mother. It makes her a Middle Eastern political refugee because Mary was delivering not only a baby but a new Gospel story.

And this new Gospel made Mary’s life dangerous. Gabriel didn’t have to spell it out, Mary knew that by saying ‘Let it be with me according to your Word’ Mary was agreeing to have God place her in the dangerous middle of two competing Kingdoms.

You see, Mary didn’t just have a baby entrusted to her. She had a different, dangerous story to steward safely.

It’s not just the fact of this new baby that sends Mary running into Egypt; it’s this new Gospel that makes her a target.

It’s this news that God was about to bring down the mighty and fill the poor with good things, that those who sit on thrones and in the halls of power don’t have the last word, that the limits and circumstances of our lives are never final.

Christians around the world and throughout history have venerated Mary for being sinless, chaste, and pure- for being the ideal woman and for having such faith that she was ready to say ‘Yes’ when God called her.

Yet Mary gets no credit for being someone who safeguards and shares the Gospel story at risk to herself. We owe Mary more than we think- we owe her the story we gather around this time every year.

I mean, we never stop to think: who was the first person to tell the Gospel story?

After Jesus is born, Gabriel is not heard from again. The shepherds go back to their flocks. The wise men return home. The Story stays with Mary.

Rome called Caesar SAVIOR and SON OF GOD. His rule was GOOD NEWS because he brought PEACE TO THOSE ON WHOM HIS FAVOR RESTED.

Not so subtly, the angels use those very same expressions to announce the birth of Christ. And not so safely it’s Mary who begins to tell the Story, no matter what it might cost her.

The Story of the Son’s birth and what it means and what it contradicts comes to us by word of the Mother.

When Mary runs for her boy’s life to Egypt, you can bet she holds this Story as closely to her as she holds her baby.

Behind our proclivities to picture her in gentle pinks and blues, Mary should be painted with the boldness that can face down empires.

Sermon #5: 

‘All these were constantly devoting themselves to prayer, together with certain women, including Mary the mother of Jesus, as well as his brothers. They devoted themselves to the apostles’ teaching and fellowship, to the breaking of bread and the prayers.’ 

- Acts 1, 2

I was surprised the first time I realized that Mary, after only Peter and Paul, receives the most mention in the New Testament- 217 mentions in the New Testament.

I was shocked the first time I read the beginning of Acts and noticed Mary’s name dropped in there among the list of those who comprised the first church.

A Christian legend holds that, following the crucifixion, the Beloved Disciple took Mary with him to Ephesus where they lived quietly and while he cared for her. It’s a legend that, perhaps unwittingly, portrays Mary as rendered helpless by her grief.

The legend abides and you’re likely to hear it repeated upon a visit to Ephesus today.

Luke, in Acts, gives us a much different take on Mary. There Mary is quietly mentioned as a leader in the Acts church, devoting herself along with everyone else to Jesus’ teaching, to the fellowship of the community, to the Eucharist and to prayer.

How is it we never think of Mary as one of the believers gathered in Jerusalem for Pentecost in Acts?

How is it we never think of Mary as one of the disciples who receive the gift of tongues at Pentecost?

Yet surely, since she’s mentioned here along with the others, she also participated with them in the Pentecost miracle.

If Pentecost is a story of God unwinding the effects of Babel and creating a new community, a new family of God, then Mary is there at this new family’s birth, as one of its leaders.

I like to think that in the birth of this new community Mary finally sees the promise of Messiah coming true, that in the life of this new community the Jubilee she’d sang about in her magnificat was finally being fulfilled.

After all, here was a community ruled by love rather than thrones, a community where the lowly are indeed lifted up and the hungry filled because ‘everyone held everything in common.’

Just as she’d sang about before his birth, all of this is made possible by her Son.

What Mary must realize in Acts, little more than month after her Son’s death, is what she must have started to guess at the Annunciation: that God was bringing together a new People, a people distinguished not by the usual lines of blood or family but a people called together by the particular life which claimed them, a people brought forth not through simple biology but through practicing the life of Jesus.

The Adoration of the Shepherds:

This is from friend, Janet Laisch-

Immediately after Caravaggio unveiled the Palermo Adoration, it stirred controversy for its depiction of the Holy Family. If you travel to Sicily in hopes of seeing Caravaggio’s Adoration of the Shepherds from 1609, you will learn it probably no longer even exists.

The Mafia “pulled off one of the biggest art heists of the century” when they stole Caravaggio’s imposing– 11.5 feet x 8 feet — oil on canvas, which hung above the altar at the San Lorenzo Chapel in 1969. See the Palermo Adoration below.

palermonativity

If you drive two and half hours east from Palermo to Messina, you can appreciate Caravaggio’s traditional version of the Adoration of the Shepherds at the Regional Museum. See the Messina Adoration below.
401px-Adoration_of_the_Shepherds-Caravaggio_(1609)

caravaggio_big

401px-Adoration_of_the_Shepherds-Caravaggio_(1609)-1

In both compositions our eyes first notice Mary as she is wearing red near the center of the canvas and Christ at whom she gazes. The Palermo Adoration instigated sharp criticism of Caravaggio’s portrayal of the Holy Family.
Caravaggio depicted Mary as sacrilegious since she does not wear a shawl to cover her bare head, neck and shoulders and appears disheveled from childbirth.
Caravaggio painted a realism true of any mother post delivery.
Yet Mary is not just any other mother. She is Christ’s mother.
Christ too lays naked on a bed of cloth and hay mostly in shadow, and it is unclear whether or not Joseph is depicted at all.
Usually when Caravaggio depicted Biblical stories, he preferred depicting raw, authentic emotion that heightened the drama of the event over established tradition.
However, in a traditional manner, the Messina version shows Mary wearing a shawl to cover her neck and head. She holds closely a swaddled, spotlighted Christ whose arm stretches out to caress Mary’s body. Joseph is clearly included and depicted traditionally as an old man standing to Mary’s right. He too wears red, drawing our eyes to him and elevating his status above the shepherds.
Caravaggio is famous for organizing compositions using diagonal lines. In the Palermo Adoration, an angel descends into the scene drawn in powerful diagonals—follow the diagonal line by tracing a line from one outstretched finger to the other arm’s outstretched hand, then follow the diagonal line by tracing the angel’s leg to torso to head.
These diagonal lines charge the painting with activity and immediacy much like a photograph captures a pivotal moment at an event. Too, a man has his back to us, suggesting an unplanned moment is captured. Whereas in the Messina Adoration, the figures themselves are carefully posed along a diagonal line, which stabilizes the composition and focuses our attention on Mary and Christ–the protagonists– who sit on one end of the line slightly apart from Joseph and the shepherds.
For each painting, the light source enters from the left side. However, Caravaggio uses this light source very differently in the paintings.Caravaggio’s most striking element is the stark contrast between light and dark or chiaroscuro. Caravaggio highlighted with light colored glazes the areas spotlighted by this light source and painted in dark glazes, the areas left in shadow.  Caravaggio’s mastery of depicting light and shadow heightens the emotion making the event more immediate before our eyes.
caravaggio_big
Both images show Christ’s first invited visitors: humble shepherds from the story of Luke 2:16.
“So they hurried and found Mary and Joseph and saw the baby lying in the manger. When the shepherds saw him, they told them what the angel had said about the child.”
These shepherds, unlike the Magi, who visit Christ on Epiphany, do not bring tangible gifts. Instead, Caravaggio depicted their adoration through individual expression and body language. Each face reveals Caravaggio’s ability to paint uniquely different features and expressions. Each body conveys emotion through posture and gesture.
In the Palermo Adoration, two men, possibly both shepherds turn to each other in conversation. The man sitting stirred disapproval as he exposes his bare calves and thighs which are highlighted with bright light much more prominently than Christ who is mostly in shadow in the center of the painting. His back is toward us. He does not carry a staff or rod, so he is most likely Joseph, though painted in an unflattering manner. The man standing is unquestionably a shepherd holding a rod used to protect his flock. The man standing to Mary’s right has been identified as St. Francis of Assisi, largely because the church where this painting once hung was dedicated to him. Too, his brown robe is “Franciscan.” However, he could be a young Joseph or a shepherd bowing his head in prayer.
The man to Mary’s left has been identified as Saint Lawrence though he is more likely a shepherd, since he holds a shepherd’s staff rather than St. Lawrence’s gridiron. In the Palermo Adoration, the identity of each of these men is open to interpretation which goes against the established tradition of depicting this event.
On the other hand, the identification of the remaining characters in the Messina Adoration is straightforward. As stated previously, Joseph is depicted to Mary’s right. Two shepherds kneel and lean toward Christ; one folds his hands in prayer while the other holds a staff. Behind them, a third shepherd stretches his neck to peer over their backs as his hands grip a rod used to protect sheep.
Caravaggio’s Adoration paintings remind us that angels first shared the news of Christ’s birth with the lower class–shepherds who rested in the fields with their sheep at night. It reminds us too that these shepherds followed immediately God’s call.

Regardless of social stature, God invites everyone equally, to meet Christ–starting with those who need him the most.

lightstock_59323_small_user_2741517Every year during Advent we let our confirmation students loose through the church building to take an informal poll.

The question we give the confirmands is the same every year:

Why did Jesus come to earth?

In other words, why Christmas?

Every year the questions are the same:

More than 3/4 answer:

that Jesus comes

in order to die.

And the problem with that answer is…it’s wrong.

#3 Reason Christmas Doesn’t Need the Cross:

Because Christ is the Image of God

Chreasters coming out for my Christmas Eve service no doubt will be expecting the familiar mashup of Luke and Matthew’s Nativity stories, the one where Mary delivers the baby Jesus nearly upon arrival in Bethlehem, the angels sing a-political songs to the shepherds, the magi don’t show up that night not 12 days later and no innocent children get hurt by the monsters that loom near Jesus’ crib.

Instead of the Nativity story, this is the scripture I’ve chosen:

He is the image of the invisible God, the firstborn of all creation; for in him all things in heaven and on earth were created, things visible and invisible, whether thrones or dominions or rulers or powers—all things have been created through him and for him. He himself is before all things, and in him all things hold together. 

- Colossians 1

This text is actually a Christian hymn, earlier than Paul’s letter, likely making it older than just about anything in the New Testament.

The hymn gives a window into how the very earliest community of believers understood and worshipped Jesus.

And what does the hymn sing about?

It praises Jesus as the image of God.

The imago dei.

According to the early Church, Jesus is the imago dei.

Christ is the image of God.

For the earliest believers, it wasn’t just that Jesus is God. It’s that Christ is the created image of God. In other words, he isn’t just true God as the creed says he’s also true man- the true human. img26064

Look at it another way.

If God is Trinity then the life of the Son belongs eternally to God; therefore, when God declares in Genesis 1 ‘let us make humankind in our image’ God’s talking first and foremost about the life of Jesus.

In his desire not for his own furthering but for the Kingdom

In his relationships that paid no regard to prejudice, convention or fear

In his obedience to the way of God no matter the cost to himself

In valuing the Reign of God over the finite kingdoms and power of the world

In his truthfulness

And in his absolute trust in God, that God would vindicate him

The early Church found in Christ a content-filled definition, an embodiment, of what it means to reflect the image of God.

Very often those who formulate the Incarnation strictly in its relation to the Atonement inadvertently idealize the pre-fall humanity of Adam and Eve. Because Eve and Adam sinned in the Garden, humanity became sinful, a condition which worsens exponentially and finally eventuates in the blood sacrifice of the Son.

If only Eve and Adam hadn’t sinned- the thinking goes- Jesus wouldn’t have had to die; nay, Jesus wouldn’t have had to come in the first place.

     No originating sin of Adam’s, no actual sin of ours.

No sin, no Jesus.

Implicit in this logic is the assumption that Adam and Eve were fine before they fell, that they already constituted what God initiated when God declared ‘let us make humankind in our image.’

But according to scripture, Jesus not Adam and Eve constitute the imago. They may have been naked and unashamed. They may have walked and talked with God in the Garden, yet Adam and Eve weren’t anything like Jesus.

I don’t know about pride coming before the fall but trust (a lack thereof) certainly came before the first fall. And trust (in God), if we look to Jesus’ life for clues, is got to be in the top three attributes of what the imago dei means.

All this to say-

I believe there would still have been a Christmas had there never been a need for a Cross because God’s intent from the first week of creation was for the human community to resemble the divine community we call Trinity.

But how would we ever know our purpose apart from seeing our prototype?

Genesis 1 (‘let us make…’) requires a John 1 (‘…and the Word became flesh and lived among us…’).

Indeed I’d argue that not only is the incarnation logically necessary irrespective of the fall, the ‘fall’ is only possible by way of hindsight because of the incarnation.

That is, we now read Genesis realizing something we couldn’t have realized before Christmas: we are not who Jesus is or was in his earthly life.

Our world isn’t the sort of place that welcomes or tolerates a person like Jesus. The world may be replete with goodness and it may show forth abundant beauty but it still crucified Christ. Think of the crowds on Palm Sunday who hail and welcome Jesus only to cry for his death later in the week- we may be good people but we still crucify Jesus. As Paul says, even our best intentions net results that fall far short of Jesus’ life.

It’s not enough simply to say that Jesus comes to die for our sin.

Rather we only know what ‘sin’ means and the extent to which it defines us because God has come in Jesus.

 

Advent Through Art: 4

Jason Micheli —  December 26, 2013 — Leave a comment
Geertgen_tot_Sint_Jans_002
This is the last reflection from Janet Laisch.
One Christmas Eve morning, before sunrise, I left the townhome on Via del Seminario where I had been living with an Italian family in Rome to spend Christmas with my parents. I had planned a five hour layover in London to see Night Nativity by Geertgen tot Sint Jans from circa 1490 at the National Gallery.
This painting, pictured above, most accurately portrays the mystical momentimmediately after Christ’s birth– uncluttered with Shepherds, Magi or donors and set at night in a barn rather than a sunny, elaborate landscape–details not mentioned in the Gospels.
Luke 2:6 describes this part of the Christmas story with “and while they were in Bethlehem, the time came for her to have her baby. She gave birth to her first son…and laid him in a manger–.”
The most striking element of this painting is the mystical mood achieved by painting Christ as the light source in the center of the painting. His glowing light illuminates Mary’s intent eyes, slightly parted lips, and praying hands. We witness her response when she faced God as an infant –the moment before the angel has announced the news– the moment before the shepherds have arrived.
Like any new mother, Mary cannot take her eyes off her child, yet she ponders a far greater wonderment than any other mother.

She knows God will live on earth among us and she will have a hand in raising Him.

She knows too that God will guide her.
Angel
Christ emanates light on the five female angels on the left (a detail of three of them shown above). The angels react in varied ways. Three hold their hands in prayer; one of whom looks out to the distance in focused prayer, one looks down at Christ frowning, and one celebrates with childlike exuberance as she throws her hands in the air and smiles with raised eyebrows.
Behind Christ, the viewer finds, an ox and donkey and above Christ, the rafters are painted in shadow and establish that the event is taking place in a barn. According to Luke, “there was no room for them to stay in the inn.” An atypically young Joseph stands behind Mary mostly in shadow; he is bearded with his hands crossed over his chest in reverence.
Geertgen_tot_Sint_Jans_002-1
A place–at the front right–is left open for us to stand beside the manger and partake in this event. It is a small artwork–just 2 x 3 feet, so unlike large altarpieces, its main purpose is private devotion rather than decoration.
To achieve this mystical mood, a dramatic contrast of light and dark oil paint was used. The technique, called chiaroscuro, also established convincing three dimensional setting and figures on a two dimensional wood panel.
After outlining the entire scene in paint, Geertgen tot Sint Jans blocked the foreground, middle and background with black glaze and painted the first glaze of Christ’s body a stark white. Additional glazes were layered to accentuate this contrast between the most important elements of each figure and the less important details.
The artist laid paints with both narrow and wide brushes, smoothed and blended colors with a cloth and even rubbed away color as needed to highlight the light source and areas directly hit by this light source so our eyes are immediately drawn to Christ, followed by Mary’s face, hands and then the angels. Oil paint, unlike fresco or tempera paints, enables light to penetrate layers of paint and reflect back through the surface allowing for infinite gradations of tonality.
The background scene narrates the Biblical story as it continues in Luke 2:8-12:
“There were some shepherds in that part of the country who were spending the night in the fields, taking care of their flocks. An angel of the Lord appeared to them, and the glory of the Lord shone over them…This very day in David’s town your Savior was born–!”
In the background the artist painted a distinction between holy light and light from the fire. The angel’s holy light, like a spotlight, illuminates the background space so that the viewer can identify shepherds, their flock, and a grassy hill whereas the small manmade fire appears dim like a single candle flame in the distance.
Once home, I attended a candlelight Christmas Eve service, an established tradition that included the moment before midnight when the congregation sang Holy Night.
The sanctuary was dark other than a single lit candle.
This flame represented the light of God as He entered the world through the birth of Jesus. Each congregant passed this flame increasing its intensity through our shared belief.
This bright glow became more like the Holy light that emanated from Christ as seen in the image of Night Nativity.
Like Mary encountering God’s gift of Christ, if our faith allows us, any lingering disbelief will be snuffed out as we accept the flame passed to our unlit candle.

South-Park-santa-jesus-boysSomeone asked me that question recently.

I recently told my own son this ‘true’ story of St Nick and he’s concluded this St Nick is ‘way more totally awesome’ than the fake Santa at the mall.

It’s even led to interrogatories on whether St Nick could beat up Bruce Wayne (yes…Jesus love trumps dark, tortured vengeance…my words not his).

Now….my answer.

You could tell your kids the vanilla, cliched story about a bearded fat man with an alcoholic’s complexion who lives in solitary confinement with a bunch of unpaid little people and who, once a year, sneaks into your house when your vulnerable and sleeping and if you’re good-but only if you’re good- he’ll leave you a present.

And if you’re naughty he’ll leave you a lump of garbage (because that’s a Christian understanding of grace…not).

You could tell your kids that story, which actually isn’t even a story. There’s no plot- no beginning, middle or end.

Or, you could tell your kids about St Nicholas, the 4th century bishop of Turkey.

St Nicholas attended the Council of Nicea in 325, from which we get the Nicene Creed.

Constantine, the first Christian Emperor of Rome, convened the council of bishops to debate the teaching of a priest named Arius.

Arius taught that God hadn’t fully or perfectly revealed himself in Jesus, which meant Arius also didn’t believe in the Trinity.

Anyways, at the Council of Nicea, while Arius argued his position St Nicholas- BECAUSE HE LOVED JESUS SO MUCH- started shaking with anger as Arius spoke.

St Nick turned red in the face, and eventually St Nick couldn’t take it anymore and he got up, walked straight up to Arius and punched him in the teeth.

True story.

The original Bad Santa.

Apparently, the other bishops thought Nick had overreacted (aside: its pretty bad when 4th century Christians think you’ve overreacted to a theological dispute) so they put him in chains and threw him in jail. But that night Jesus appeared to St Nicholas, freed him from his chains and gave him a bible. The next morning the guards discovered Nicholas freed from his chains and quietly reading scripture and they were amazed.

So Nicholas was set free to become a legend.

And Arius was labeled a heretic and exiled, and his death was cheered by the Christian world.

So you could tell your kids about a fat man who still drives a carriage like he’s a color blind Amish and apparently treats his reindeer like a North Pole Jim Crow.

Or you could tell your kids about St Nicholas, someone who loves Jesus so much he’s the only person on record to ever be congratulated by Jesus for pimp slapping someone. 

But I’ll let you be the judge.

lightstock_59323_small_user_2741517Every year during Advent we let our confirmation students loose through the church building to take an informal poll.

The question we give the confirmands is the same every year:

Why did Jesus come to earth?

In other words, why Christmas?

Every year the questions are the same:

More than 3/4 answer:

that Jesus comes

in order to die.

And the problem with that answer is…it’s wrong.

#4 Reason Christmas Doesn’t Need the Cross:

Because Christ is the Image of God

One of the deficiencies in rendering Incarnation according to its utility, making Incarnation secondary to the Atonement, by arguing that Jesus (only) comes to die for our sin and thus would not have come otherwise is that it leaves no redemptive room for the life of Christ.

His birth and life are just prologue.

They may be interesting and even instructive but they’re not essential.

Only Jesus’ death matters for salvation.

It comes as no surprise then that for many Christians our lives are only prologue as well, possibly interesting but not essential. Only what comes after our death matters.

Again, this is not to deny the reality of Sin and the need for redemption on the Cross. Rather to argue that the Incarnation is necessary irrespective of the need for a Cross is to assert that the life of Christ itself has salvific attributes.

Salvation begins not on Good Friday but on Christmas Eve.

This is especially true if you take the perspective of the Eastern Church Fathers who believed the eternal, macro goal of creation was theosis (divinization), the joining together of the the infinite and the finite.

Atonement (our redemption from Sin through the Cross) was a more specific, instrumental means of achieving a larger, prior goal of At-one-ment.

Because theosis is/way the original, eternal, prior-to-the-Fall desire of the Trinity, the Eastern Fathers believed that the incarnate life of Christ changes us or makes a new some things- if not all things- new.

The Incarnation is itself redemptive in nature…because it’s the joining together of Spirit and nature.

In other words:

To argue in this case that Christmas doesn’t need the Cross is not to argue that the Cross is unnecessary.

It is instead to argue that the Incarnation serves a necessary work which the Cross cannot.

396741_267162973337995_300112313_nThis entry comes from Andrew DiAntonio, a student (and part-time pastor) at Yale. He’s got one of the sharpest theological minds I know. Here he is, to my left, in Guatemala. 

A lot of times we throw around the phrase “made in the image of God,” as a way to dismiss others without sounding bigoted.

It’s often “we’re all made in the image of God, but…”

It’s become the theological equivalent of “I’m not racist, but…”

But…what if we took it seriously?

What if in every human being, in every person we met, we truly believed we saw the ‘image of the Living God?’

It’s easy to saw when looking at children, or Mother Theresa, or Nelson Mandela.

But what about Stalin? Or Attila the Hun? Or Sarah Palin?

There are people we see everyday and when we look at them the image that stares back at us could not look anything less like God.

Or perhaps its not even the face of someone else – maybe its the face that gazes back from the mirror that shows no sign of God’s likeness. ______________________

champions-of-the-faith-athanasiusSt. Athanasius took the phrase “made in the image of God” seriously.

An Egyptian bishop living 300 years after Jesus, Athanasius took seriously the claim – the promise – the declaration that God made humanity in God’s image. Imprinted on each of us is a portrait of the God who declared “Let us make Humanity in our image.” – “Let us make them in the likeness of God.”

And Athanasius knew something about images.

Once when he had ran afoul of the emperor he had to flee Alexandria and hide in the tomb of an Egyptian mummy. He would have been surrounded by once beautiful painting – paintings that had faded. Painting that had flaked and cracked. Paintings that were worn away by the elements.

Athanasius imagined that what we see in the prophets – what we see in the life of Israel – what hear from Scripture – was an attempt to repair, to repaint our portraits. Moses and Isaiah, Daniel and Miriam, Jacob and Ezekiel, they all briefly saw God.

They saw what the original subject of the portrait looked like.

They caught a glimpse of God’s likeness and returned to their people.

But its hard to reproduce a painting from memory. Whatever restoration they attempted was second hand at best.

A vague reflection, a vague memory of the original.

In Jesus – in God made flesh, “God with Us,” the original subject – the likeness of God is made flesh.

In Jesus we can look at God and restore our image.

In the life of Jesus the perfect image of God is manifest – made available to all of us.

When Mary looked at the baby she had carried for 9 months, when Joseph looked at the son he would raise, that he would love and take care of – when they looked at Jesus they saw God’s image for the first time. In Jesus’ life and faithfulness, in his words and deeds, we discover not only the image of God in which we were created but also the possibility of our own image.

 

StJosephbyGerritVanHonthorst1620As promised, here’s the audio and video from the weekend’s sermon on Joseph. You can also download the sermon in iTunes under ‘Tamed Cynic.’

Better yet, download the FREE Tamed Cynic mobile app linked in the sidebar.

Here’s the audio:

And here’s the video:

 

Advent Through Art: 3

Jason Micheli —  December 18, 2013 — Leave a comment

This is from Janet Laisch:

One winter in Rome, on my way to research at the Vatican Photo Archives, I stopped and requested a ticket to attend Papal Mass. On that third Sunday of Advent, I arrived early enough to enter the Vatican and find a vantage point of the Pope. However, the Pope’s proclamation was well beyond my understanding of Italian.

Rather than leave my seat, I reviewed my camera’s images.

These images depicted the story I had hoped to hear.

Pope Benedict XVI conducts the holy mass of Pentecost Sunday in Saint Peter's Basilica at the Vatican

The advent story continues about a week prior to Christmas with Mary and Joseph on a journey to Bethlehem as Luke win 2.1-5.
“At that time Emperor Augustus ordered a census to be taken throughout the Roman Empire. When this first census took place, Quirinius was the governor of Syria. Everyone, then, went to register himself, each to his own hometown. Joseph went from the town of Nazareth in Galilee to the town of Bethlehem in Judea, the birthplace of King David. Joseph went there because he was a descendant of David. He went to register with Mary, who was promised in marriage to him. She was pregnant…”
Only about a week before Mary gave birth, with a full, round belly and a desire to nest rather than undertake dangerous, unplanned travel, Mary and Joseph journeyed 70 miles south through rocky terrain and dangerous circumstances to fulfill Biblical prophecy.
Unknown

chora1

Very few art pieces exist showing the Journey to Bethlehem. Thus, I appreciated this mosaic at the Chora Church in Turkey dating from the twelfth century even more for its rarity. Entering the Chora Church is different from entering the Vatican. To walk through the Chora Church is like entering a life size jeweled box where every surface sparkles as colored glass, gold and semi-precious stones reflect and refract light. The artisans achieved this shimmery quality using chisel blades to hammer stones or tesserae into varying sizes and shapes.
Next, they incised this image using a sharp instrument and laid pigments to guide the placement of tesserae. The team climbed scaffolding to reach the upper walls and carefully placed thousands of tesserae into a wet plaster foundation.
At the Chora Church, large gold tesserae sparkle in the background of the Journey to Bethlehem. The town of Bethlehem, depicted on the left, is the smallest image of the mosaic which helps create a sense of three-dimensional space. Smaller glass tesserae represent red roof tiles, stucco townhomes, towering stone walls, and soaring cypress trees. In the middle-ground, gray, with accents of blue and white tesserae represent the rocky terrain from Mary and Joseph’s arduous journey.
In the foreground, green tesserae depict lush grass rather than dry, desert more typical of topography near Bethlehem. A life size Mary has the most convincing proportions whereas a haloed Joseph following behind Mary is elongated.
Typical to Joseph imagery, he walks with a slight stoop of an elderly man. The smallest tesserae in varying shades depict detailed and loving expressions on their faces. Joseph’s eyes are turned toward Mary who has her head turned towards him. One of Joseph’s sons is leading them carrying a small knapsack.

Meister_der_Kahriye-Cami-Kirche_in_Istanbul_005

The next mosaic, at the Chora Church, depicts the registration for their taxes. Quirinius, the governor of Syria, sits on a throne at the left flanked by an armed military guard. In the middle, scribes hold a scroll recording names and taxes paid. On the right, Mary is standing tall with her head bowed toward the officers. Joseph is shown with his sons helping her. As in the previous mosaic, the background shimmers in pure gold tesserae.
Unknown-1Unknown-2

Light is an integral medium of these mosaics; it not only enhances color and tonality, it makes surfaces kinetic like a hologram.

This kinetic quality encourages the believer to reach out and touch the rough and smooth surfaces and feel the stones dip and climb beneath their fingers.

Before church leaders proclaimed the Gospel in vernacular, one significant way Christians learned Bible stories was by interacting with images like these. Christians must have had a similar experience as I had, listening to the Pope speak in a language other than their native tongue. The message was lost.
Art, as a universal language, illustrates the Bible– stories so vital to knowing God.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

lightstock_59323_small_user_2741517Every year during Advent we let our confirmation students loose through the church building to take an informal poll.

The question we give the confirmands is the same every year:

Why did Jesus come to earth?

In other words, why Christmas?

Every year the questions are the same and, remarkably, every year so are the answers. The needle doesn’t move at all.

More than 3/4 answer, year in and year out:

that Jesus comes

in order to die.

And the problem with that answer is…it’s wrong.

So I thought what better way to anticipate the ‘Feast of the Incarnation’ than with a series of posts, mining the riches of saints and church fathers on the logical necessity of the incarnation irrespective of the Fall.

In other words:

That if Adam had never sinned God still would have taken flesh in Mary’s womb. Or someone like her.

That Joseph (or someone like him) still would’ve laid God in a manger even if God had not needed to die for our sin.

That the Son still would’ve donned golden fleece diapers even if we hadn’t needed a Suffering Servant to bear our iniquity.

#6 Reason Why Christmas Doesn’t Need the Cross:

At-One-Ment

It was the Council of Chalcedon in the mid-5th century that hammered out the Christology (‘speech about Christ’) that became orthodox for Christians everywhere. According to the Chalcedon formula, the best way to refer to Jesus Christ is as ‘the God-Man.’ 

Makes him sound like a super-hero, I know, which is unfortunate since that’s the last thing the Church Fathers were after. Their formula was just the best way to insure that latter day Jesus-followers like us didn’t forget that Jesus the Son is true God and true Man, without division or confusion between his two natures.

He is fully both God and Man. img26064

And, in a latent sense, he has always been both.

Eternally.

In other words, the Son who is the 2nd Person of the Trinity was always going to be the eternal Son who became incarnate and thus the son of somebody like Mary.

According to Maximus the Confessor- indisputably one of the greatest minds in the history of the faith, someone who could even out smoke, out drink and punch out Karl Barth:

the Chalcedonian formula necessitates that we affirm that the incarnate Logos is the elect unifier of all things that are separated.

Whether- and this is key- by nature or by sin.

We all know Sin separated us from God. That’s an every Sunday, altar call kind of presumption- so much so, in fact, that we neglect to remember or notice that less nefarious but even more fundamental fact separates us from the infinite.

Our finitude. Our createdness. Our materiality.

That the son of Mary is the eternal-eventually-to-become-incarnate Son of the God we call Trinity shows, says Maximus, that the Logos is the One through whom all things physical and spiritual, infinite and finite, earthly and heavenly, created and uncreated would be united and made one.

Union, says Maximus, was God’s first and most fundamental aim.

At-onement of a different sort.

Jesus isn’t made simply to forgive or die for our sins. Because if Christ is the God-Man, then everything goes in the other direction.

Jesus isn’t made for us; we were made for him. By him.

We are the ones with whom, through him, God wants to share God’s life.

It’s not that Jesus is the gift God gives us at Christmas; it’s that at Christmas we finally discover that we’re the gift God has given to himself.

We’re the extravagance the superabundant love of Father, Son and Spirit gratuitously seek to share with one another.

Jesus is the reason for the season, but the reason for Jesus is that before the stars were hung in place, before Adam sinned or Israel’s love failed God’s deepest desire is, was and always will be friendship.

With us.

 

jules-hr-600x300It’s a Wonderful-But-Also-Cliched-And Moralizing Life

This time of year, with Gabriel’s ‘Do not be afraids’ and the heavenly host’s ‘glorias,’people tend to have questions about angels.

Much like the devil, pop culture’s assumptions about angels run far afield of what we actually find in scripture.

And as with the devil, the ubiquity of pop culture stereotypes on angels often makes people reluctant to jettison their Touched By An Angel/Highway to Heaven/Fat Cherub Baby Calendar images of angels.

So, if you’re like all the other people who’ve ever asked me about angels and devils then you’ll read my sober, scripturally based response and decide you like Michael Landon better.

As my son says before I smack him, ‘whatever’ (just joking).

First, what are angels?

Simply put, angels are messengers.

That’s what the word ‘angel’ literally means.

And you should notice how similar it is to the word ‘evangel’ or ‘proclamation.’

Angels do evangelism.

That, with few not contradictory examples, is what they do.

Angels are creatures of God and thus subordinate to God. They’re creatures given over to a specific purpose: the mediation of heavenly revelation or messages.

They’re God’s tweets in other words.

Because they’re creatures given for a specific purpose, they have no free will.

Because they are without free will, they are subordinate in creation to human beings- and if you’re about to push back on that it’s because you’ve got Milton’s Paradise Lost in your head not the bible.

Check.

Mate.

Now, this heavenly revelation bit is key.

The message angels deliver is straight from the presence of Yahweh.

Think of the Holy of Holies and how risky it was for Israel’s priests to venture close to it.

Angels bring the holiness of God near into the present. Therefore, they’re scary. In a fear of God kind of way.

There’s a reason Gabriel is constantly having to say ‘Do not be afraid.’

Just like Jewels in Pulp Fiction, Gabriel is a ‘Bad m%^&$# F$%^&*(’

And Clarence, no matter how we might feel about the Jimmy Stewart movie, could never ever be mistaken for a Bad m%^&$# F$%^&*(

An angel as sweet and reassuring as Clarence is not an angel sent from the holy presence of Yahweh, the God who is, as Hebrews says, ‘a consuming fire.’ clarence

Back to the Christmas story or just the Gospels in general. What makes the Gospels take an angels distinct (especially compared to some of the Jewish writings in the centuries leading up to Jesus’ birth) is how the Gospels take on angels is thoroughly Christocentric (Jesus centered).

You’ve got angels, most notably Gabriel, at the beginning of the Gospel in the Nativity story.

You’ve got angels at the end, in the form of the strangers at the tomb, when Jesus is raised from the dead.

In the middle, you’ve got Jesus.

Why no angels? Because, back to the top, angels mediate God’s revelation.

And Jesus Christ is himself the perfect, complete revelation of God.

No other messengers necessary.

Which leads to a theological question I don’t have time for now but you can feel free to weigh in on:

Since God has sent us Jesus, the complete revelation of God’s message….

And since Jesus has sent us the Holy Spirit….

Do we need

and/or

does God continue to send angels?

553993_10200871642814777_972049269_nThis is another reflection from Janet Laisch

The second Saturday of Advent, I traveled from Rome to Florence to tour the former Monastery of San Marco, where the artist and monk, Fra Angelico lived. I walked around the loggia, admiring its repetitious lines and cross barrel vaulting that encouraged reflection.

I thought of my grandmother saying that everyone is called to do something, the fortunate ones follow their callings.

Fra Angelico surely did.

As a Dominican monk here, he painted a fresco cycle starting in 1438. Stepping inside, I saw Fra Angelico’s Annunciation fresco; it measures 7.5’x10.5′, and true to frescos, it is in beautiful condition. Fra Angelico created a three dimensional space using linear perspective with a high vanishing point most convincing when viewed from the first floor.

View_of_the_Convent_of_San_Marco_14366358603919_3acd6ed268

Once I ascended the staircase, I approached the painting at eye level. The angel Gabriel and Mary inhabit a space that mirrors the monastery: the garden, the cross barrel vaulting, and windowed monk’s dorm are distinguishing features of San Marco.

Too, the protagonists were painted life size rather than to scale; if Mary stood up, she would hit her head on the ceiling. The most elaborate portion of the fresco are the angels’ wings.

Only in person could I appreciate how beautiful and otherworldly they are; they literally sparkle from the shimmery, brightly colored mica rocks used to create the paints reserved only for Gabriel.

The light source highlights Gabriel who was painted with much more detail in gold leaf unlike Mary who wears muted beige and blue that blend into the stone background.

annunciation
539071431_4bb173bae5_zimages

Gabriel clearly impressed Mary; her lips are parted in awe.

Gabriel has just delivered seemingly devastating news that Mary, a virgin, unwed, young, and not wealthy is with child.

In response Mary appears calm. Her parted lips are the only indication that she might feel overwhelmed. In acceptance, Mary intently makes eye contact with her visitor; her arms mirror his arms, and both protagonists slightly bow their heads in reverence.

Their eyes and arms communicate a shared response.

She trusts his message is Gospel and delivers the word of God. Fra Angelico painted Mary accepting the angel Gabriel’s announcement that she will give birth to Jesus Christ our Savior from the Gospel of Luke 1:38. “I am the Lord’s servant,” said Mary; “may it happen to me as you have said.”

Contrastingly, Simone Martini’s Annunciation from 1333 portrays Mary shrinking back in fear of her calling from Luke 1:29-35: “Mary was deeply troubled…and …wondered… How, then, can this be?” Unlike Martini, Fra Angelico portrayed only the protagonists without distraction from standardized symbols used in hundreds of Annunciation scenes that were painted by Medieval, Renaissance and Baroque artists; symbols not found in the bible.

annunciation-1
Fra Angelico did not include lilies, a symbol of the Virgin’s chastity, nor is Mary holding a Bible, a symbol of her piety.
The angel does not hold an olive branch- a symbol of peace. The only details needed were those from San Marco, so the viewer could imagine inhabiting the “same space” as the protagonists.

Farther down the corridor, I entered the monks’ dorms. Each cell measured 10 x 10 feet–43 cells in total. In dorm three, there is another example of an Annunciation by Fra Angelico. This private devotional piece is even sparser than the previous example.

Here the barrel vaulted room is mirrored in the painting; a Dominican monk views the Annunciation from the left; similar to the monk, who lived in this very room and would have prayed before this image each day.

The monk’s goal is that we experience the Biblical narrative firsthand as a holy vision. We too can imagine what this announcement would have felt like to Mary. She is neither wealthy nor wed and for a woman living in her day, she would have been shunned had Joseph not married her. Yet she bows her head, folds her hands over her chest and looks at
Gabriel accepting God’s calling.

Fra Angelico inspires the viewer to be like Mary, and accept God’s call.

I returned to Rome. The piling snow, like insulation, muted the sounds associated with this crowded city.

It became quiet enough to listen come what may. My thoughts turned to Mary who decisively and humbly accepted her call from God; during Advent, as we anticipate Christ’s Second Coming–another gift from God– we too should listen to how God calls us.

Each of us is called again and again to act in both simple and great ways. We may not live in a monastery where quiet reflection is a part of each day.

However, if we learn to listen, we may just be able to respond to God’s calls as Mary had done–with quiet acceptance.

AngelicoAnnunciationSitu